Ideas become better
when you can play them.

Both projects use Godot. Scenes, scripts and reusable systems let us build mechanics, assemble interfaces and iterate on how a game responds to the player.

We work with GDScript and project-specific tools for content, checks and build preparation.

Aseprite is part of the workflow for pixel characters, animation and environmental art. Editable source files help us refine silhouettes, frames and the way assets behave in the game.

Blender has been used in earlier Capy Drop home explorations. Its current home direction is 2D pixel art. We choose the medium that fits the experience.

Test rooms and small playable scenarios help us evaluate combat, interactions and visual changes before extending them through a game.

We examine input, layout and performance across intended screen sizes. Desktop builds and mobile development exports are steps in that process; each target still needs its own validation.

AI-assisted workflows support programming, digital design and iteration. Project records document AI-assisted work and the origin of generated assets.

We are exploring advanced AI tools, including Claude, for engineering, documentation, test planning and development automation. This is an area of exploration, not a claim of an existing Claude integration.

Human review remains part of evaluating creative choices, technical changes and the suitability of materials for release.